Shelley Wildeman

Train Stations part 1


All images are available as archival pigment prints 16.5" x approximately 27" for $300 unframed, $550 framed.

 

Trieste Centrale
Trieste Centrale, 2022/2025





Gare do Oriente, Lisbon
Gare do Oriente, Lisbon, 2024





Porto Campanhã Station
Porto Campanhã station, 2024





Zagreb Glavni Kolodvor
Zagreb Glavni Kolodvor, 2024





Železniška postaja Ljubljana
Železniška postaja Ljubljana, 2024






Piraeus Station, Greece, 2018/9





Gare de Nord
Gare de Nord, Paris, 2012





Gare St. Lazare
Gare St. Lazare, Paris, 2012





Union Station
Union Station, Toronto, 2012






Grand Central Terminal, New York, 2012





Union Station Chicago
Union Station, Chicago, 2014





Gare du Palais, Quebec City
Gare du Palais, Quebec City, 2019/20





Warszawa Centralna
Warszawa Centralna, 2017/8






Balti Jaam, Tallinn, 2016/20





St Petersburg station Sign
St.Petersburg-Glavny #1, 2017/8





Statione Centrale, Milan
Statione Centrale, Milan, 2018





Santa Lucia station, Venice
Statione Santa Lucia, Venice, 2018





Helsinki Train Station outside
Helsingin Päärautatieasem, 2018


Series title: Station Time

 

Station Time is a study to capture how time is perceived in train stations. Entering a train station is to immerse oneself into several timelines, all concurrent. We see weighty trains in old stations, yet the people are ephemeral, ghost-like, transitory.

 

In these stations there is a palimpsest, or layering, of time: present experiences are constantly layered over faded pasts. The layering of colours and images simultaneously captures the energy of traveling, while evoking a nostalgia for these old places. These are the places where people travel, but trains terminate. Their future is always in question, but while they are here, the older stations seem to be eternal.

 

I have layered several frames so that the passing of time and our brief presence in these places is felt. Every moment, our complex bustling, our comings and goings all dissipate into the air.

 

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